"This is where I get off."

I know it might seem like I sit at home all day long, drinking beer and updating The Blarg, but the truth is I spend much of my day writing.

Lately, most of my writing has been on long-form projects. Because of this, I sometimes write a short (most times comedic, other times not so much) to break up the monotony of those longer projects. But while these shorts are fun to write as an exercise, nobody ever really gets to read them.

To remedy this, I’ve decided to share them here. I’m doing this for two reasons:

1. I like to share! That, and it’s better than having them sit on my computer.

2. It’s my hope that someone might be inspired to actually do something creative with them. Want to film one as a short? Awesome. Interested in animating one? Go for it. Feel like performing one live onstage? I dare you. All I ask is that you give me credit where it’s due, and (if possible) send me a copy of the final product.

The nineteenth of Shady’s Shorts is called “This Is Where I Get Off.” Unlike all of the previous shorts, this one is not a comedy. It’s a dramatic short, and based on something that really happened once.

Download it by clicking below.


Number eighteen,


“This Is Where I Get Off” is licensed under a Creative Commons Attribution 4.0 International License. Created by Justin Shady, ©2015.
Creative Commons License


At least there were stickers.

That’s not even our address,


Incorrect greetings runs in our family.

…for sending a bunch of delicious fruit and a HAPPY BIRTHDAY balloon to congratulate me on the release of Vendetta!

It’s not even close to my birthday,


Mind. Blown.

This is not a joke,


"A month from now, best-case scenario, I'm managing a Cinnabon in Omaha."

I wish I had that much hair,


I know everyone’s been all like, “Oh, my dad is the best,” and, “No, my dad is the best,” today, and I’m all like, “HORSE SHIT! Because my dad is the best!”

I tried to find this awesome photo of us wearing 3D glasses while watching Creature from the Black Lagoon together, but it’s buried somewhere in nearly a hundred photo albums, and so you’ll just have to settle for this.

October 24th, 1976

That photo was taken at my christening (yes, I was once a good little Christian boy) on October 24th, 1976, and from what I can tell it’s the first photo of us together (at least based on the photos I have).

This is a good one, too.

Easter (April 19th) 1981

That photo was taken on Easter in 1981, which just so happened to fall on April 19th that year. It was also my dad’s 28th birthday.

Those horns in the background are currently hanging in our dining room.

Anyway, Happy Father’s Day to the best dad a balding, 30-something man who swears like a sailor and acts like an 8-year-old could ever have!

I learned it by watching him,



…for these handmade booties!

They literally watched a grandmother knit these in Portugal,


…right here:

This kind of made me like him,


If you know me, you know I try not to talk about upcoming projects until they become more… structurally sound. One of said projects is The Roberts, which will be the film adaptation of the graphic novel I wrote (and Erik Rose illustrated) that was first published in 2008.

Bringing The Roberts to the silver screen is what initially brought us to L.A. seven years ago. Since then, the project has gone through a lot of ups and downs, but a couple years ago The Roberts fell into a groove with producing team (and husband and wife) Elliott Lewitt and Julie Kirkham.

Julie had a long history of working with up-and-coming writers, helping them hone their voice and develop their scripts to their maximum potential. And so, when The Roberts got underway with Elliott and Julie producing, we started by looking at the first draft of my adapted script… and then going through a series of rewrites. While Elliott was also involved in this process early on, I worked primarily with Julie in those days, rewriting, rewriting, and rewriting again each new draft of the script.

Writers are a divisive, highly opinionated lot, but there is one thing we can all agree on: booze. Oh, and one other thing: that the current draft of a script is the best draft that will ever exist.

Julie knew otherwise, doing what she did best: pushing me to pen a sharper and smarter version of The Roberts. After months of meetings, rewrites, more meetings and rewrites, the script finally got to a place where we all felt confident in sending it out to talent.

Sadly, Julie passed away last week. The details of this are unimportant. What is important, however, is that I got to know her, work with her, and develop The Roberts alongside her.

When the movie finally gets made, which it will, both her name and her fingerprint will be on it. And now, more than ever, I hope to make her proud of that final outcome.

She is, and will forever be, missed.


Kevin and Ralph of "Alright, Let's Do A Podcast."

…right here!

They were there,



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